Showing posts with label Hauntology. Show all posts
Showing posts with label Hauntology. Show all posts

Friday, 12 October 2018

The Remote Viewer at Light Night 2018

Mick Schofield art photography projection university of leeds light night phd

rephotography leeds video art research hauntology

deconstructed rephotography hauntology photography art leeds

Special Collections Godfrey Bingley Light Night research

installation at the university of leeds

video art installation photography leeds landscape hauntology

photography installation archives research rephotography spectrality

Michael C Coldwell Michael Schofield University of Leeds PhD practice final show exhibition

Quarry Hill rephotography Leeds art event

The Remote Viewer Leeds video art rephotography

Michael C Coldwell photographer and artist projection work installation

Light Night 2018 University of Leeds gallery event archive

projected photographs of Leeds with sound art field recordings Light Night

rephotography photography Leeds events Light Night Remote Viewer 2018

Michael C Coldwell Mick Schofield research final show rephotography archive

photography event special collections installation archive Leeds history slum clearance Quarry Hill art


The Remote Viewer (at Light Night 2018) from Michael C Coldwell on Vimeo.


Images and footage from The Remote Viewer, a new projection work and 'final show' from my practice-led PhD at the University of Leeds, entitled Aura and Trace: The Hauntology of the Rephotographic Image

Just my viva to go!

Tuesday, 5 June 2018

The Remote Viewer is coming...

Photography by Michael C Coldwell
Boynton Street has disappeared (Projection 2) 1906-2018

Hauntography by Michael Coldwell
Unhealthy Area, Quarry Hill 1905-2018


These are deconstructed rephotographs of Quarry Hill in Leeds. The work attempts to take archive photographs of the cleared slums back to those streets that have disappeared, as part of an ongoing exploration of photography as a form of haunting.

This work is part of my practice-led PhD research which is nearing completion.

The final rephotographs will be projected on Light Night this year as part of a video installation called The Remote Viewer

Here's a sneak preview of the sort of thing we'll be doing...


Slum Clearance (2017) from Michael C Coldwell on Vimeo.

Monday, 20 March 2017

Conflux Coldwell - Ante Meridiem





























CC - AM

This "visual album" is part of Michael C Coldwell’s ongoing research into the ghostly properties of photography, video and radio - the aura of the obsolete medium and the sublation of the analogue by the digital, reality by simulation.

We are saturated in the incessant pulsing of invisible lights, their waves pass through walls and through our bodies without our noticing, carrying memories, pictures, music and strange signals.

Like some synesthesia machine, the radio allows us to tune into them, and listen to these lights.

However, as the digital revolution advances a desert has opened up in the once busy aether. The analogue airwaves are slowly dying. Huge tracks of AM radio have been abandoned for newer methods of broadcast. This album was created out of the odd scraps of sound left behind in the void - strange military signals, faint foreign stations and morse code flickering in a sea of unending noise and static.

Every sound used to make this music was recorded from a Sony ICF-2001D Synthesised Receiver, a worldband radio from the 1980s capable of picking up very long-distance signals. This machine is historically significant because of its role in Cold War espionage. It was used by Eastern-Bloc spies in the West to receive coded messages in the form of mysterious ‘numbers stations’, a very few of which still seem to be in operation.

Due to the way shortwave signals are reflected back off the ionosphere, the best time to record these distant signals is just before dawn.

http://confluxcoldwell.bandcamp.com/album/am


Wednesday, 15 March 2017

Godfrey Bingley 'maquettes'

Michael C Coldwell 1


Michael C Coldwell 3

Michael C Coldwell 4

Michael C Coldwell 5

Michael C Coldwell 6


Michael C Coldwell 7

Michael C Coldwell 8

Michael C Coldwell 9


These test images were created as part of a research project into the ontology of rephotography. They use appropriated plates from the Godfrey Bingley collection, University of Leeds, to explore landscapes which have changed beyond all recognition.